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By Van Pelt John Vredenburgh 1874-1962

ISBN-10: 1110350392

ISBN-13: 9781110350391

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Extra resources for A Discussion of Composition, Especially as Applied to Architecture

Sample text

As a first example: A factory is constructed for Then the windows, the manufacture of tin cans. really the chimneys, each detail, should tend to further common that end; a certain family look, building, a certain character far than a costly, ^ inside the walls, will result. Here is another extract from the "Lectures on Architecture" which illustrates first to such satisfactory decorated fagade, useless and out of harmony with the work done be the more thing the highest "The point. required of a building— not, observe, thing— is that its it shall pose, completely, permanently, expense.

180. 37 CAEEFULNESS; THOUGHTPULNESS. not worth courage, for the reader will say that it is while trying to be an architect necessary to be if it is all else first. Not each one of us, it is true, has the artistic spirit in the same degree but if we are glad to do what we are doing, an early inability to do it well should not ; Some disturb us. artists, often the greatest, develop but slowly and the truly artistic nature, in ; onic stage, is evidenced its embry- more by the love of art, coupled with innate delicacy of temperament, refinement, and strength of character, than by the clever brush or pencil stroke we are tempted to accept as its index.

The fagade of Wells Cathedral seems to be an exception to the general rule, in having decoration at the top, but power and it is on a its principal scale of perfect effectiveness; while in the base modern Gothic of Milan Cathedral the statues are cut delicately everywhere, and the builders think it a merit A DISCUSSION OP COMPOSITION. " In order that an architect may properly understand the application of his ornament, he should be, in some degree at least, both painter and sculptor. This the that the visitor ; truly great architects of the past have been Giotto, Michael Angelo, others!

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A Discussion of Composition, Especially as Applied to Architecture by Van Pelt John Vredenburgh 1874-1962

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