A Concise History of French Painting by Edward Lucie-Smith PDF

A Concise History of French Painting by Edward Lucie-Smith PDF

By Edward Lucie-Smith

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A long gallery of this was and decorative tradition. Its from the point of view of the decorative artist, was that it could not be looked at as a whole (though, as Rosso, like all Mannerists, tended to shun narrative clarity and indeed anything which disclosed itself simply and at once, this may have seemed an advantage) The solution was to divide the walls into an upper and a lower half. The lower part was filled with panelling, the upper became an enlarged version of the deep frieze already familiar in some Italian decorative schemes.

Marmion's work is not closest 18, ig humdrum: fragment such as the charming Soul oj St Bertin that he could strike a vein of poetry. But the music being played is the swan-song of the departing Middle Ages. entirely Carried up 30 to a God shows CHAPTER TWO Renaissance Fantasy The sixteenth century marks a turning-point in the political history of France, and in the development of French culture. The first half of the century was an era of foreign wars, a continuation of the adventures which had been embarked upon by Charles VIII.

The plunging bird's-eye view is typically Mannerist (we also find it used by Pieter Bruegel the Elder), and so is ; 26 the glittering, rather tinselly colour. And yet these airy landscapes are the predecessors of some of the 25 most poetic works of Claude Lorrain. Other artists, Italian and French, clustered round these three principal figures, but their personalities remain shadowy. A fine Diana in the Louvre is sometimes attributed to Luca Penni; and Giulio Camillo, Niccolo dell'Abbate's son, has been suggested as the author of some landscapes showing rustic occupations.

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A Concise History of French Painting by Edward Lucie-Smith

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